Die Zwischeneinspielungen haben sie sich zwar von den Fantastischen Vier abgeschaut, sie sind aber zumindest gleichwertig. Creme de la Creme bestechen durch ihre ironischen Texte und nur so dahin plätschernde Raps. Before too long, he’d carved out a niche for himself as a squeaky-voiced goofball, a fast-rapping Fabolous soundalike who was a welcome addition to any posse cut, able to parachute into songs provide some high-energy levity, and tastefully bow out before you had a chance to think too hard about what the hell an ass-state is.Įin neuer Lichtblick in der deutschen HipHop-Landschaft. The Detroit rapper’s manic energy and corny punchlines recalled Quagmire from Family Guy, a comparison that Sean himself stoked on his 2011 track “I Do It,” when he spent a few lines rhyming things with “giggity-giggity” and then rapped, “I’m Quagmire.” His “Marvin & Chardonnay” fit like a glove within the dizzying heights of Rustie’s transcendent 2012 Essential Mix, while the Nicki Minaj collaboration “Dance (A$$)” yielded both a pitch-perfect homage to the ghettotech of his hometown as well as perhaps the decade’s finest song about butts. In the late 2000s and early 2010s, Big Sean was like a streetwear Tumblr come to life, able to rap like Gucci Mane’s kid brother in one song, only to shift gears and drop a pretty serviceable Consequence impression in the next.
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